Category Archives: Damages

“Plaintiffs may only recover one award of statutory damages per musical composition per Defendant”

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Filed under Damages, Music

MCS Music America, Inc. v. YAHOO! Inc., 2010 WL 500430 (M.D. Tenn. 2010)

Plaintiffs brought a copyright infringement suit alleging, inter alia, that Yahoo!’s music subscription service had distributed without permission a total of 308 different versions of 205 of its musical composition. This came about, according to the complaint, because Yahoo!, distributed different versions of some of the songs that were performed by different artists, produced at different times by different people, and were distributed by different record labels. The plaintiff contended that it was entitled to a $150k in statutory damages for each of the 308 versions.

Yahoo! filed a motion 12(c) judgment on the pleadings arguing that the Plaintiffs were only allowed to seek one award of statutory damages per work infringed. The Middle District of Tennessee (Campbell, C.J.)  granted Yahoo!’s motion and found that the statutory damages available to the plaintiffs, if any, were recoverable only on the 215 musical compositions alleged in the Complaint, rather than the 308 total recorded versions of the 215 musical compositions. Stated the Court, “Plaintiffs may only recover one award of statutory damages per musical composition per Defendant.”

Hypothetical license appropriate measure of actual damages even if parties unlikely to enter license

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Filed under Damages

Oracle USA, Inc. v. SAP AG, 2010 WL 334446 (N.D. Cal. 2009)

Oracle brought a copyright infringement suit against SAP seeking, among other things, actual damages. Title 17 Section 504 of the Copyright Act provides that a plaintiff may recover either statutory damages, or “the actual damages suffered by [the copyright owner] as a result of the infringement” and “any profits of the infringer that are attributable to the infringement and are not taken into account in computing the actual damages.” The Ninth Circuit, the Court noted, uses a fair market value retroactive license fee as one measure of actual damages.

SAP moved for a summary judgment ruling that Oracle could not pursue damages  in the form of a hypothetical license. SAP argued that, if it were not for the infringement, the arch-rivals would not have entered into a licensing agreement. The Northern District of California (Hamilton, J.) denied SAP’s motion, and allowed Oracle to present evidence regarding the market value of the license. Stated the Court, “The question is not what Oracle would have charged for a license, but what is the fair market value.”

Samuelson and Sheffner on Due Process challenges to peer-to-peer statutory damages awards under Gore

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Filed under Academia, Damages

PENNumbra, the University of Pennsylvania Law Review’s ezine, has published a point-counterpoint by Pamela Samuelson and Ben Sheffner on whether the recent peer-to-peer statutory damages awards violate the Due Process clause of the Constitution, as interpreted in BMW v. Gore. Readers here may recognize Pamela Samuelson from her article with Tara Wheatland, Statutory Damages in Copyright Law:  A Remedy in Need of Reform, and Ben Sheffner from his blog Copyrights and Campaigns.

I’d be remiss if I didn’t mention the form of the essays: Both run under two thousand words and remind me of some of the delightfully short writings found in some European IP journals. PENNumbra is a forum that, in this case, offers a nice middle-ground between full length journal essay and blog post.

Some clips from the series:

Samuelson said:

The only plausible explanation for the outlandishly large jury awards against Thomas-Rasset and Tenenbaum was the jury’s desire to punish them for the sins of all file sharers at the direct or indirect urging of the recording industry plaintiffs.  See Pamela Samuelson & Tara Wheatland, Statutory Damages in Copyright Law:  A Remedy in Need of Reform, 51 Wm. & Mary L. Rev. (forthcoming 2009) (manuscript pt. I-B), available at http://ssrn.com/abstract=1375604 (explaining that courts and commentators are increasingly recognizing that statutory damage awards, especially at the high end of the range, are punitive in intent and punitive in effect).  Under the Supreme Court’s due process jurisprudence, juries seem to be punishing these individuals for the acts of millions of other file sharers who are “strangers to the litigation” on behalf of copyright owners who are also “strangers to the litigation” as to copyrighted works that are not before the court.  Williams, 127 S. Ct. at 1063 (“[T]he Constitution’s Due Process Clause forbids a State to use a punitive damages award to punish a defendant for injury that it inflicts upon nonparties or those whom they directly represent, i.e., injury that it inflicts upon those who are, essentially, strangers to the litigation.”).  Because there are insufficient constraints on jury awards of statutory damages, courts should draw upon the Court’s due process jurisprudence by reducing grossly excessive statutory damage awards in peer-to-peer music file-sharing cases either to the $750 minimum, which seems to have become the norm in the reported cases, or to something much closer to the minimum.  See, e.g., Cooper Indus. v. Leatherman Tool Group, Inc., 532 U.S. 424 (2001) (directing de novo review of excessive jury awards).

Sheffner said:

. . . Gore guideposts two and three don’t work at all with copyright statutory damages. In many copyright cases (Thomas-Rasset and Tenenbaum included), it is impossible to compare actual to statutory damages because, as noted above, it is difficult or impossible to measure actual damages. Indeed, statutory damages exist in part to relieve copyright owners of the burden of proving up actual damages where, as a practical matter, they cannot. See F.W. Woolworth Co. v. Contemporary Arts, Inc., 344 U.S. 228, 231 (1952). And it makes no sense to speak of comparing the actual damages with “the civil or criminal penalties that could be imposed for comparable misconduct,” Gore, 517 U.S. at 583; statutory damages are the “civil… penalties” that Congress has chosen to impose on copyright infringers. If we’re going to debate the constitutionality of statutory damages, we’re going to have to do so under the much more deferential standard set forth in St. Louis, Iron Mountain & Southern Railway v. Williams, 251 U.S. 63 (1919)—under which, as far as I am aware, no award has ever been invalidated.

Reasonable people can disagree over the proper amount of statutory damages for individual non-profit infringers like Thomas-Rasset and Tenenbaum. I, for one, would likely be willing to trade a significantly lower range of available damages for a cheap and streamlined process for adjudicating such cases. See, e.g., Mark Lemley & R. Anthony Reese, Reducing Digital Copyright Infringement Without Restricting Innovation, 56 Stan. L. Rev. 1345 (2004) (“Another way to reduce the cost of enforcement is to create some sort of quick, cheap dispute resolution system that enables copyright owners to get some limited relief against abusers of peer-to-peer systems….”). But these are essentially legislative choices.

E.D.N.Y. rejects awarding statutory damages independently under the Copyright Act, Lanham Act and DMCA

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Filed under Damages

Tu v. TAD System Technology Inc., 2009 WL 2905780 (E.D.N.Y. 2009)

The Plaintiff produced software for bars and restaurants. The Plaintiff alleged that the Defendant distributed copies of the software that infringed its trademarks and copyrights, and that the Defendant had violated the DMCA. The Defendant failed to answer the complaint and the court entered default judgment. The Plaintiff argued that it should be awarded statutory damages for all three claims independently.  The Court rejected awarding statutory damages for each of the three claims:

Only three courts in this Circuit appear to have reached the issue whether Plaintiffs may seek duplicative statutory damages under multiple legal theories for the same intellectual property injury. Recently, this Court adopted the recommendation and report of a magistrate judge declining to permit statutory damages under both the Copyright Act and the Lanham Act. See Computer Care Center, Inc., 2008 WL 4179653, at *9-10. Computer Care Center, Inc. in turn, cited an unpublished Memorandum and Order in Island Software & Computer Serv., Inc. v. Microsoft Corp., No. 01-CV-750, slip op. at 35 (E.D.N.Y. Jan 24, 2003), aff’d in part, vacated in part on other grounds, 413 F.3d 257 (2d Cir.2005), in which the district court held that the award of statutory damages under the Copyright and Lanham Act would constitute “an impennissible double recovery.” The Island Software court held that, “although [the defendants] may have committed ‘two wrongs,’ under the separate statutory schemes governing trademark and copyright …, those wrongs … produced one harm-[plaintiff's] economic loss.” Id. One court in this Circuit disagreed with this approach. In Microsoft Corp. v. Black Cat Computer Wholesale, Inc., 269 F.Supp.2d 118, 123-24 (W.D.N.Y.2002), the court relied on the Ninth Circuit’s decision in Nintendo to grant statutory damages to the plaintiff under both the Copyright and Lanham Acts.

This Court holds that Plaintiffs are not entitled to duplicative recoveries for the same intellectual property theft under multiple theories of liability. As the Second Circuit has made clear, “[a] plaintiff seeking compensation for the same injury under different legal theories is of course entitled to only one recovery.” Indu Craft, Inc. v. Bank of Baroda, 47 F.3d 490, 497 (2d Cir.1997). In an analogous case, the Second Circuit held that a party “may not obtain a double recovery where the damages for copyright infringement and trade secret misappropriation are coextensive.” Computer Assocs. Intern., Inc. v. Altai, Inc., 982 F.2d 693, 720 (2d Cir.1992). Second, while maximizing the judgment against Defendants through duplicative statutory damages may produce a greater deterrent effect, under the facts of this case, the broad range of statutory damages available under either the Copyright Act or Lanham Act is sufficient to put potential infringers “on notice that it costs less to obey [intellectual property] laws than to violate them .” N.Y. Chinese TV Programs, Inc., 1991 WL 113283 at *4 (internal quotation marks omitted).

These principles apply with greater force when a plaintiff seeks statutory damages under multiple legal theories. “The provision for statutory damages serves a dual purpose-to compensate copyright owners and to deter potential infringers.” N.Y. Chinese TV Programs, Inc. v. U.E. Enterprises, Inc., No. 89-CV-6082, 1991 WL 113283, at*3 (S.D.N.Y. June 14, 1991) (citing Fitzgerald Publishing Co. v. Baylor Publishing Co., 807 F.2d 1110, 1117 (2d Cir.1986)). First, awarding duplicative statutory damages under different legal theories fails to serve the first aim as compensation for the same injury could be and should be accomplished under a single grant of statutory damages. See Gucci v. Duty Free Apparel, Ltd., 315 F.Supp.2d 511, 520 (S.D.N.Y.2004) (“To the extent possible statutory damages should be woven out of the same bolt of cloth as actual damages”) (internal quotation marks omitted).

*5 Here, there is no doubt that the damages sustained by Plaintiffs are coextensive; it is Defendants’ manufacture, sale, and distribution of a “cracked” version of ADELO for Restaurants that accounts for Plaintiffs’ economic damages under either of the three intellectual property statutes. Plaintiffs can recover their economic loss and the Court can impose some punitive or deterrent element of damages under any of the three Acts Defendants violated, and it is not necessary to award the same damages under all three. Accordingly, the Court concludes that Plaintiffs are not entitled to duplicative statutory damages under the Copyright Act, DMCA, and the Lanham Act. Rather, because the gravamen of this case is that Defendants sold and distributed a pirated version of Plaintiffs’ copyrighted material, the Court finds that damages under the Copyright Act to be the most
appropriate remedy. FN2

N2. The Complaint states that in “some cases” purchasers were not aware that they were using a cracked version of ALDELO for Restaurants. Compl. ¶ 12. It logically follows that most purchasers knew that they were using a pirated version of the program. Accordingly, purchasers were likely motivated by the allure of a cheaper product rather than an Aldelo-trademarked and sanctioned product. Such circumstances reinforce the primacy of the copyright violation in this case.

Court rejects due process challenge to 31.5 million dollar statutory damages award ($50k per violation) in cybersquatting case

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Filed under Damages

Verizon California Inc. v. OnlineNIC, Inc., 2009 WL 2706393 (N.D. Cal. 2009)

Judge Fogel of the federal district court in San Jose issued an order last week in which he rejected a due process challenge to a 31.5 million dollar statutory damages award. The facts of this case are not kind for OnlineNIC. Verizon obtained a default judgment against the company for cybersquatting. OnlineNIC eventually responded, seeking to set aside the default judgment.

The Court rejected the motion but required Verizon to prove the appropriate per-violation amount of statutory damages. It should also be noted that during the course of the proceedings, OnelineNIC was guilty of “numerous instances of sanctionable conduct” for “noncompliance with court orders, as well as its systematically deceptive behavior in evading service of process.”

OnlineNIC made (what the Court deemed) a “cursory” argument that Verizon’s award violated its substantive due process rights because the award was excessively disproportionate to any actual harm, or to profit it derived from the infringing domain names. The Court rejected the challenge:

There are numerous difficulties with OnlineNIC’s argument. First, the argument rests on OnlineNIC’s own assertion that it derived only $1,468.60 in profit from the use of the 663 infringing domain names. OnlineNIC’s reference to its alleged profit fails to take any account of the damages suffered by Verizon in the form of a likelihood of confusion surrounding Verizon’s marks and the diversion of internet traffic to websites selling rival products.

Moreover, OnlineNIC has made multiple false or misleadingly incomplete representations to Verizon and the Court over the course of this litigation, see, e.g., Order re. Relief from Judgment, at 16:6-9 (noting OnlineNIC’s provision of false addresses), 17:10-12 (same), 17:24-19:10 (noting Mr. Liu’s “demonstrably false representations in … sworn declarations); see also Verizon Opening Br., at 14 n. 12 (citing evidence of OnlineNIC’s repeated misrepresentations concerning the nature of its relationship with 35 Technology), making it exceedingly difficult to accept OnlineNIC’s present representations as credible.

Second, even if the figure offered by OnlineNIC were presumed to be accurate, the figure reflects only the profit purportedly derived by OnlineNIC, not by any of the numerous aliases that OnlineNIC used to register infringing domain names. See supra. Compare Bradley Decl., ¶¶ 9-28 (explaining OnlineNIC’s use of aliases and shell identities), with ShaoHong Decl., ¶ 4 (purporting to summarize “all revenues received by OnlineNIC from all monetization of the 663 domains in question”). Third, while OnlineNIC urges the Court to apply the single-digit multiplier principle endorsed in Campbell to this case, the result would wholly defeat the purpose of the statute, since the maximum available damages award would be $13,212.00, or only $19.92 per domain name. That is of course less than the statutory minimum prescribed by Congress. See 15 U.S.C. § 1117(d).

Finally, and most importantly, it is highly doubtful whether Gore and Campbell apply to statutory damages awards at all. Like the Sixth Circuit, this Court “know[s] of no case invalidating … an award of statutory damages under Gore or Campbell.” Zomba Enterprises, Inc. v. Panorama Records, Inc., 491 F.3d 574, 587 (6th Cir.2007). Under binding authority decided before Gore, “only where the [statutory] penalty prescribed is so severe and oppressive as to be wholly disproportioned to the offense and obviously unreasonable” will it violate a defendant’s due process rights. United States v. Citrin, 972 F.2d 1044, 1051 (9th Cir. 1992) (quoting St. Louis, Iron Mt. & S. Ry. Co. v. Williams, 251 U.S. 63, 66-67, 40 S.Ct. 71, 64 L.Ed. 139 (1919)); see also Zomba Enterprises, Inc., 491 F.3d at 587 (“Regardless of the uncertainty regarding the application of Gore and Campbell to statutory-damage awards, we may review such awards under [ Williams ] to ensure they comport with due process.”); Arrez v. Kelly Services, Inc., 522 F.Supp.2d 997, 1008 (N.D.Ill.2007) (“In determining whether the penalty is grossly disproportionate, ‘the fine need only bear some relationship to the offense’s gravity; this is not a proportionality inquiry.’ ” (citation omitted)).

*7 It cannot be said that the $33.15 million award bears such an impermissible relationship to OnlineNIC’s outrageously blatant and willful violation of federal law. This is particularly true when “due regard [is given to] the interests of the public, the numberless opportunities for committing the offense, and the need for securing uniform adherence” to the statute. Williams, 251 U.S. at 67; see also Centerline Equip. Corp. v. Banner Personnel Serv., Inc., 545 F.Supp.2d 768, 777 (N.D.Ill.2008) (rejecting defendant’s argument that 30,000:1 ratio between potential statutory damages and actual harm to plaintiff would violate due process, since “[t]here is no requirement that the statutory remedy be proportional to the plaintiff’s own injury [and] … Congress may choose an amount that reflects the injury to the public as well as to the individual” (citing Williams, 251 U.S. at 66)). FN3

FN3. Notably, OnlineNIC makes no argument under Williams, but states only that while “the State Farm constitutional analysis has not yet been adopted to limit statutory damages under U.S. intellectual property laws, nothing in State Farm suggest that its holding should not apply to such cases.” Opp., at 4:6-9.

With respect to whether Gore and Campbell imposed limitations beyond those found in Williams, at least one Court has concluded that since Gore and Campbell were designed essentially to constrain the otherwise “unregulated and arbitrary use of judicial power” inherent in punitive damages awards, their holdings are “not implicated [by] Congress’ carefully crafted and reasonably constrained” statutory damages regime under the copyright act and similar legislation. Lowry’s Reports, Inc. v. Legg Mason, Inc., 302 F.Supp.2d 455, 460 (D.Md.2004); see also Browning-Ferris Industries of Vermont, Inc. v. Kelco Disposal, Inc., 492 U.S. 257, 281, 109 S.Ct. 2909, 106 L.Ed.2d 219 (1989) (Brennan, J., concurring) (noting that greater scrutiny is warranted over non-legislative punitive damages awards than over damages provided for by legislative enactment).

It is not difficult to see why Gore and Campbell have not been applied in the context of statutory damages awards. First, in the context of statutory damages, the Supreme Court has held expressly that “[t]he discretion of the [district] court is wide enough to permit a resort to statutory damages for [the purpose of deterrence,] [such that] …. [e]ven for uninjurious and unprofitable invasions of copyright [,] the court may, if it deems it just, impose a liability within statutory limits to sanction and vindicate the statutory policy.” F.W. Woolworth Co. v. Contemporary Arts, 344 U.S. 228, 233, 73 S.Ct. 222, 97 L.Ed. 276 (1952) (emphasis). This suggests that ratios between actual or potential damages and punitive damages-ratios that are at the heart of Gore and Campbell-simply do not apply in the context of statutory damages.

Second, the very notion of “applying” Gore and Campbell to awards of statutory damages is problematic. Despite the use of the term “guideposts” to describe the relevant criteria for assessing the constitutionality of damages, Gore and Campbell prescribe a relatively rigid framework, one that results in considerable misalignment with the notions underlying statutory damages of the kind authorized by the ACPA and similar statutes. For example, in the context of the first guidepost-the degree of reprehensibility of the defendant’s conduct-“a court must consider several issues: (1) whether the harm caused was physical as opposed to economic; (2) whether the tortious conduct evinced an indifference to or a reckless disregard of the health or safety of others; (3) whether the target of the conduct was financially vulnerable; (4) whether the conduct involved repeated actions or was an isolated incident; and (5) whether the harm was the result of intentional malice, trickery, or deceit, or mere accident.” Goldsmith v. Bagby Elevator Co., Inc., 513 F.3d 1261, 1283 (11th Cir.2008) (emphasis added). Yet in the context of a typical copyright of trademark case, at least the first three of these sub-factors will be conspicuously irrelevant.

*8 The second guidepost-“the disparity between the harm or potential harm suffered by [the plaintiff] and [the] punitive damages award”-seems equally out of place, since a primary purpose of statutory damages is to facilitate-within clearly delimited parameters-the “necessarily somewhat arbitrary estimat[ion]” of the proper award where actual damages-and even “potential” damages-are difficult or impossible to determine. F.W. Woolworth Co., 344 U.S. at 232 (noting that statutory damages are intended to allow “owner of a copyright some recompense for injury done him, in a case where the rules of law render difficult or impossible proof of damages or discovery of profits”); see also Lowry’s Reports, Inc., 302 F.Supp.2d at 460 (“The Gore guideposts do not limit the statutory damages here because of the difficulties in assessing compensatory damages in this case.”).

The third “guidepost”-the difference between the remedy at issue and the civil penalties authorized or imposed in comparable cases-appears to rest almost entirely on the “fair notice” aspect of the due process limitations on damages awards. As the Supreme Court noted in Campbell, “there are [both] procedural and substantive constitutional limitations” on damages awards that are punitive in nature. Campbell, 538 U.S. at 416. The procedural limitation inheres in the principle that “notions of fairness … dictate that a person receive fair notice not only of the conduct that will subject him to punishment, but also of the severity of the penalty that a State may impose.” Gore, 517 U.S. at 574. That limitation clearly has no application in the field of statutory damages awards, where the text of federal legislation explicitly discloses the range of penalties that may be awarded on a per-violation basis. Even assuming that, in certain types of cases, courts typically awarded damages in a certain range within the statutory parameters, it is difficult to argue that a defendant lacks notice of the potential severity of damages when the law explicitly identifies a maximum per-violation penalty and commits the determination of the proper amount of such penalty to the discretion of the trial judge.

Notwithstanding the imperfect fit between the Gore/Campbell framework and several of the principles animating the ACPA’s statutory damages regime, it is not inconceivable that Gore and Campbell could “apply,” in some respect, in the present context. “Although statutory damages amounts might be calculated in part to compensate for actual losses that are difficult to quantify, they are often also motivated in part by a pseudo-punitive intention to ‘address and deter overall public harm.’ ” Parker v. Time Warner Entm’t Co., L.P., 331 F.3d 13, 26 (2d Cir.2003) (quoting Texas v. Am. Blastfax, Inc., 121 F.Supp.2d 1085, 1090 (W.D.Tex.2000)); see also Cass County Music Co., 88 F.3d at 643 (“[S]tatutory damages have evolved and now are intended not only to put the plaintiff in the position he would have been but for the infringement, but also, and arguably preeminently, to punish [and deter] the defendant.”). In that respect, while courts frequently do consider whether a defendant has engaged in a pattern of registering or using large numbers of domain names that infringe the rights of other parties, see supra Section II.B.3, the Supreme Court has explained that a defendant should not be punished “for being an unsavory individual or business,” and that “[d]ue process does not permit courts, in the calculation of punitive damages, to adjudicate the merits of other parties’ hypothetical claims against a defendant ….” Campbell, 538 U.S. at 423. Thus, while the defendant’s wrongful conduct against others certainly could be a relevant factor-for example, in assessing just how reprehensible the defendant’s conduct towards the plaintiff should be deemed under the circumstances-a court authorizing an award that reaches well into realm of punitive or deterrence-oriented damages must be careful not to punish the defendant for wrongful acts other than to those committed against the plaintiff.

*9 Among the material submitted by Verizon to support the original damages award of $50,000 per violation is evidence that OnlineNIC runs a “massive cybersquatting operation.” See supra Section III.B.3. Viewed in this light, OnlineNIC would appear to embody the notion of an “unsavory … business,” but that is something for which it may not be punished, as such, under Campbell. At the same time, however, it is clear that “a recidivist may be punished more severely than a first offender[,] [since] … repeated misconduct is more reprehensible than an individual instance of malfeasance.” Campbell, 538 U.S. at 423. In the context of civil damages, a court entering an essentially punitive award on the basis of “repeated misconduct” need only “ensure [that] the conduct in question replicates the prior transgressions.” Id. (quoting Gore, 517 U.S. at 577). Here, the wrongful conduct against other parties-the registration of many thousands of domain names that infringe those parties’ famous marks-is precisely the conduct that has harmed Verizon. To the extent that the original damages award reflects a recognition of the extent of OnlineNIC’s illegal activities, it does so not by “adjudicat[ing] the merits of other parties’ hypothetical claims,” id. at 423, but by placing a gloss of additional culpability on OnlineNIC’s conduct towards Verizon.

Finally, the original award furthers the important statutory goal of deterrence. Cf. St. Luke’s Cataract and Laser Institute, P.A. v. Sanderson, 573 F.3d 1186, 2009 WL 1955609, at *15 (11th Cir.2009) (observing that “the ACPA’s statutory damages provision to contain[s] a deterrence element similar to copyright law”); E. & J. Gallo Winery v. Spider Webs Ltd., 286 F.3d 270, 278 (5th Cir.2002) (noting that copyright statutory damages provision “is designed to discourage wrongful conduct” and affirming statutory damages award of $25,000 under the ACPA, even though plaintiff did not suffer any actual injury). Here, although evidence of actual deterrence is not required to support a statutory damages award designed to deter OnlineNIC and others from future misconduct, Verizon has represented to the Court that the number of domain names that infringe its famous marks has decreased substantially since the entry of the default judgment on December 19, 2008, and OnlineNIC admits that “publicity about the massive judgment against [it] … gain[ed] much attention” in Asia beginning in late December 2008. The judgment amount-which is fully supported by considerations relevant to the determination of statutory damages awards under the ACPA-thus also serves the important statutory goal of deterrence. Cf. Campbell, 538 U.S. at 417 (noting the unconstitutionality of awards that “further[ ] no legitimate purpose and [therefore] constitute[ ] an arbitrary deprivation of property”).

For all of the foregoing reasons, the Court concludes that the original $33.15 million damages award does not violate OnlineNIC’s due process rights.

Australian court finds that use of four bars of a musical composition on a wine label constitutes infringement

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Filed under Australia, Damages, Right of Publicity

Rutter v Brookland Valley Estate Pty Limited [2009] FCA 702 (30 June 2009)

There are a number of new copyright decisions issued in Australia over the last couple of weeks that look worthy of a mention.  The plaintiff in Rutter v. Brookland was an internationally renowned flautist.  The defendant was a winery that launched a brand marketed around the flute-playing Greek God Pan. The winery asked the plaintiff flautist to compose an original piece of music that would be included on a promotional CD; perform a series of shows to market the wine; and provide the winery with manuscript of the original composition for reproduction on the wine series’ label. The flautist agreed to license her composition and name for promotional purposes for a twelve month period.

The winery continued to use twelve bars of the composition on its wine labels after the expiration of the licensing agreement. It later revised the wine label to include four bars of the composition. The Honourable Justice Buchanan found that the winery infringed the flautist’s copyright in her musical composition by continuing to produce and distribute labels that included the composition. The Court found that both the label that incorporated the twelve bar section and the label that included the four bar section were infringing.

The test for improper appropriation

In American copyright law, the concept of improper appropriation — that in addition to showing a unauthorized taking, a copyright owner must show that a defendant took too much of a work — isn’t explicitly incorporated into the Copyright Act. 17 U.S.C. 501(a) states that anyone who violates any of the exclusive rights of a copyright owner . . .  is an infringer . . .” Courts were left by Congress to formulate the standards for determining whether a particular use is potentially liable.

The concept that the appropriation of a small but qualitatively important portion of a preexisting work may constitute copyright infringement was incorporated into American law by Justice Story in his opinion in Folsom v. Marsh. 9 F.Cas. 349. No. 4901 (C.C.D. Mass. 1841) (Whether a use is infringing does “not necessarily depend on upon the quantity taken . . . “)

The standard for improper appropriation in Australian copyright law is partially set forth in Section 14(1) of the Copyright Act, which states that a person infringes a preexisting work when they use a “substantial part” of a “work or other subject-matter.”  The Court in Rutter interpreted the phrase “substantial part” as referring to a qualitative analysis instead of a quantitative analysis.   Citing Autodesk Inc v Dyason [No. 2] [1993] HCA 6; (1993) 176 CLR 300, 305 (Mason CJ):

It is clear that the phrase ‘substantial part’ refers to the quality of what is taken rather than the quantity … in determining whether the quality of what is taken makes it a ‘substantial part’ of the copyright work, it is important to inquire into the importance which the taken portion bears in relation to the work as a whole: is it an ‘essential’ or ‘material’ part of the work?

In Rutter, the Court found that both the twelve bar section of the flautist’s composition that was included on the original wine label, and the four bar section used on the revised label, were “immediately recognisable” excerpts that were “significant, essential and material part[s] of the composition.”

Statute of limitations

The Court applied a six year statute of limitations from the date of injury and limited the scope of the claim to infringement that occurred in the six years proceeding the filing of the complaint.  Section 134(1) of the Australian Copyright Act states that no infringement action may be “brought for infringement after the expiration of six years from the time when the infringement took place . . . ”

As a comparison, the United States Copyright Act provides that “[n]o civil action shall be maintained under the provisions of [the Copyright Act] unless it is commenced within three years after the claim accrued.” 17 U.S.C. 507(b).  The Act doesn’t explicitly define when a claim accrues.  A majority of U.S. Courts have interpreted the limitations period as a discovery rule, beginning to run when a plaintiff either discovered or with due diligence should have discovered the injury; although, some courts have considered the limitations period as beginning to run on the point of injury, similarly to the limitations provision of the Australian Copyright Act.

Damages

Section 115(2) and of the Australian Copyright Act provides that a court may grant a plaintiff in an infringement suit an injunction and either damages or accounting of profits. The flautist in Rutter elected actual damages, in lieu of an accounting of profits, so the Court used the original license between the parties to calculate an average royalty per bottle of wine sold, and then multiplied the rate by the number of bottles sold by the winery that used the label in the last six years.

The Court also awarded additional damages.  Section 115(4) of the Australian Copyright Act gives a Court discretion to award additional damages in circumstances when infringement is (i) flagrant, or (ia) there is a need for deterrence of similar infringement, or (ib) a defendant doesn’t respond with appropriate conduct after it is informed of the infringement,or (iii) the defendant benefited from the infringement.

Section 115(4) to a certain extent makes damages under the Australian Copyright Act similar to actual damages in the American Copyright Act, with the exception that the American Copyright Act doesn’t allow a Court to access additional damages for willful infringement unless a plaintiff elects statutory damages.  17 U.S.C. 504 grants a plaintiff the choice to elect actual damages and additional profits of the infringer. The Australian Copyright Act forces a defendant to elect either actual damages or additional profits, but a Court can in its discretion award additional damages if a plaintiff benefits from the infringement.

Moral rights and false endorsement

The plaintiff also claimed damages should be accessed for the defendant’s violation of her moral right to attribution.  The Court found that violation of moral rights did not increase the flautists losses, and that since there is no “double counting” of damages for violation of moral rights, it had already accessed the appropriate additional damages.

The plaintiff also argued that it should receive additional copyright damages for the flautist’s personal association with the musical composition used on the label.  The Court found that there was no inference of personal endorsement raised merely by the use of the musical composition on the wine labels and that it wasn’t appropriate or necessary to add additional damages.  The decision in Harolds Stores, Inc. v. Dillard Dept. Stores, Inc., 82 F.3d 1533 (10th Cir. 1996) aside, most American courts have found that a plaintiff will not be awarded damages for loss of goodwill or consumer confusion for a copyright claim.  Loss of goodwill or consumer confusion is traditionally the province of a state law claim based on a right of publicity or a trademark claim, if and when the claims aren’t preempted, and is not an appropriate basis for awarding damages for a claim brought under the Copyright Act, which targets unauthorized infringement, not unauthorized endorsement.

Samuelson & Wheatland: Statutory Damages in Copyright Law: A Remedy in Need of Reform

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Filed under Academia, Damages

Pamela Samuelson, Professor of Law at Berkeley, and Tara Wheatland, a Research Fellow for the Copyright Principles Project, have posted a new article at SSRN about statutory damages and potential for reform via “sound jurisprudence” and legislative changes. The abstract:

U.S. copyright law gives successful plaintiffs who promptly registered their works the ability to elect to receive an award of statutory damages, which can be granted in any amount between $750 and $150,000 per infringed work. This provision gives scant guidance about where in that range awards should be made, other than to say that the award should be in amount the court “considers just,” and that the upper end of the spectrum, from $30,000 to $150,000 per infringed work, is reserved for awards against “willful” infringers. Courts have largely failed to develop a jurisprudence to guide decision-making about compensatory statutory damage awards in ordinary infringement cases or about strong deterrent or punitive damage awards in willful infringement cases. As a result, awards of statutory damages are frequently arbitrary, inconsistent, unprincipled, and sometimes grossly excessive.

This Article argues that such awards are not only inconsistent with Congressional intent in establishing the statutory damage regime, but also with principles of due process articulated in the Supreme Court’s jurisprudence on punitive damage awards. Drawing upon some cases in which statutory damage awards have been consistent with Congressional intent and with the due process jurisprudence, this Article articulates principles upon which a sound jurisprudence for copyright statutory damage awards could be built. Nevertheless, legislative reform of the U.S. statutory damage rules may be desirable.

The three-month window for statutory damages for infringement that commences pre-registration

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Filed under Damages, News, Registration

Shade v. Gorman, 08-3471 SI, 2009 WL 196400 (N.D.Cal. Jan. 28, 2009).

Shade took photographs and video in Central Asia immediately following September 11, 2001.  In 2003, the parties entered into a preliminary agreement for Gorman to produce a documentary using Shade’s video footage.  Gorman proposed ideas, but the parties were unable to come to an agreement. Shade alleged that in January of 2008 he learned that Gorman had used his photos and video footage without his permission in the creation of a documentary titled “American Hero,” which was shown at the San Francisco Indie Film Festival in February of 2008.

Gorman moved to dismiss Shade’s claims for statutory damages and attorneys’ fees, arguing that they aren’t available for infringement that commences before registration. See 17 U.S.C. § 412. Shade argued that while he couldn’t recover statutory damages and attorneys’ fees for any pre-registration infringement, the relief was available to him for post-registration infringement.

Judge Illston of the Northern District of California held that “Section 412(2) mandates that, in order to recover statutory damages [and attorneys' fees], the copyrighted work must have been registered prior to commencement of the infringement, unless the registration is made within three months after first publication of the work.” Derek Andrew, Inc. v. Poof Apparel Corp., 528 F.3d 696, 699 (9th Cir.2008).  The Court granted Gorman’s motion because the alleged infringement began on February 17, 2008, which was more than three months before Shade obtained registration of the copyrights.

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