Monthly Archives: January 2010

First Circuit finds unfinished works are granted moral rights

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Filed under VARA

Massachusetts Museum of Contemporary Art Foundation, Inc. v. Buchel, 08-2199 (1st Cir. 2010)

The First Circuit (Howard, Woodckock, Lipez writing) issued a mammoth decision on Wednesday that addressed a number of interesting issues concerning the Visual Artists Rights Act. An artist conceived and partially executed a football-field sized art installation which was to be exhibited at the Massachusetts Museum of Contemporary Art. The artist and the museum never entered into a written contract. The relationship between the two parties soured and the work was never fully completed.

The Museum sought a declaration in federal court that it was “entitled to present to the public the materials and partial constructions” it had collected for the work. The artist responded with a series of counterclaims under the Copyright Act and the Visual Artists Rights Act, seeking damages and an injunction against the display of the unfinished art work.

The district court granted summary judgment in favor of the Museum on all claims, finding that no genuine issues of material fact existed. The First Circuit vacated the granting of summary judgment on the claim for copyright infringement (right to display) and violation of the right of integrity granted in VARA.

Are unfinished works granted rights under VARA?

As an initial question, the First Circuit addressed whether unfinished works  are granted rights under VARA. The Court found that the definition in 17 USC 101 for a “work of visual art” governed the provisions in VARA, and found that VARA applied to unfinished works:

. . . VARA is part of the Copyright Act, and that Act’s definition section, which defines “work of visual art,” specifies that its definitions, unless otherwise provided, control throughout Title 17. See 17 U.S.C. § 101. That general definitional section of the Copyright Act states that a work is “created” when it “is fixed in a copy . . . for the first time.” Further, “where a work is prepared over a period of time, the portion of it that has been fixed at any particular time constitutes the work as of that time.” 17 U.S.C. § 101 (emphasis added).

Is there a different burden of proof in a claim for violation of VARA right of integrity when seeking an injunction and when seeking damages?

The Court addressed whether a plaintiff had the same burden of proof to be awarded an injunction and damages for a violation of integrity.The Court found that a similar showing of prejudice is required for a plaintiff to be awarded damages and an injunction:

Some courts, however, have assumed without analysis that the prejudice showing is necessary for both injunctive relief and damages. See, e.g., Hanrahan v. Ramirez, No. 2:97-CV-7470, 1998 WL 34369997, at *3 (C.D. Cal. June 3, 1998) (citing 17 U.S.C. §
106A(a)(3)); Carter v. Helmsley-Spear,Inc., 861 F. Supp. 303, 329-30 (S.D.N.Y. 1994), aff’d in part, vacated in part, and rev’d in part by Carter, 71 F.3d at 77. At least one commentator likewise accepts, without discussion, that the damages remedy requires a showing of prejudice. See Melville B. Nimmer, 3-8D Nimmer on Copyright § 8D.06[C][1] (noting that “an intentional and prejudicial mutilation is an integrity violation, remediable through not only an injunction, but damages as well”).

* * * * *

We agree with Nimmer’s view of the provision, including the application of the prejudice requirement to a claim for damages, and consider that construction soundly grounded in VARA’s legislative history.

Can a plaintiff seek damages or merely an injunction for a violation of the right to attribution?

The First Circuit also found that a plaintiff can only seek an injunction, and not damages, for a violation of the right to attribution:

We agree with Nimmer’s surmise that VARA does not provide a damages remedy for an attribution violation. Where the statutory language is framed as a right “to prevent” conduct, it does not necessarily follow that a plaintiff is entitled to damages once the conduct occurs. The question is whether “doing” the act the artist has a right to prevent also triggers a damages remedy, and the statutory language indicates that Congress answered that question for the attribution right differently from the integrity right.

Copyright Office: Distribution of a work online is a publication

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Filed under Copyright Office, Distribution Right, Publication, Registration

The Copyright Office has adopted an interim regulation that alters the deposit exemption for works available only online. Previously, automated databases available only online were exempted from the mandatory deposit requirements. The exemption was implemented in 1989 because the Copyright Office “in the early 1990s had neither the intention nor the technology to collect such works.”

The Copyright Office has up until now interpreted the exemption to apply to all online-only publications because at the time the exemption was implemented, “for all practical purposes,” the only works being published online were the automated Westlaw and Nexis databases.

The new regulation

In the new regulation “electronic serials” (‘‘This class includes periodicals; newspapers; annuals; and the journals, proceedings, transactions, etc. of societies.’’) are subject to a qualified deposit requirement. Not all rights holders will be requested to deposit their works. The Copyright Office will make demands on authors, at its discretion. A rights holder will then have three months to deposit the work, barring the Office granting additional time in special circumstances.

The logistics for the submission of online–only works will be developed by the Office in consultation with content owners.The Office was not ready to adopt a policy where rights-holders could  by provide a website link so that the Office could download the works itself. The effective date for the new reg is February 24, 2010. It only applies to works published on or after the effective date.

Blogs

In comments, West publishing requested that the definition of serials be revised so that it could not be read to cover databases and blogs. The Office, in response, limited the definition of electronic serials to works “issued or intended to be issued on an established schedule, in successive parts bearing numerical or chronological designations, without subsequent alterations.’’ The Office noted it believed that this definition does not include blogs or databases that are publications with “no demarcations between particular, discrete issues of the publication.”

I’m not convinced the definition of electronic serials still doesn’t cover blogs. Many blogs, like mine, create posts that are automatically numbered by date or post number in the URL. Regardless, the Office’s comments imply that, at least for the time being, they are unlikely to make deposit demands upon blog owners.

Online distribution as publication

The deposit requirement enacted in 17 U.S.C. 402 only applies to works published in the United States. D.C. attorney Patrice Lyons queried whether the distribution of works only online constitutes a publication. Section 101 of title 17 defines ‘‘publication’’ as follows:

“Publication” is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display, constitutes publication. A public performance or display of a work does not of itself constitute publication.
To perform or display a work “publicly” means—
(1) to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a
family and its social acquaintances is gathered; or

(2) to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to the public, by means of any device or process, whether the members of the public capable of receiving the performance or display receive it in the same place or in separate places and at the same time or at different times.

It is possible to argue that the distribution of a work on the internet is not a publication because there is no “sale or other transfer of ownership, or by rental, lease, or lending.”

In mid-October, we encountered this issue in Moberg v. 33T LLC, 2009 WL 3182606 (D. Del. 2009). In the case, a defendant moved to dismiss a copyright action brought by a Swedish photographer. The defendant argued that the work was a U.S. work because it was published online concurrently in the US and abroad. As a U.S. work, the defendant argued, the photographer needed to register the works at issue before bringing suit. The Court sidestepped the question of whether a publication had occurred and found that, regardless of whether there was a publication, there was not concurrent publication in the United States and a foreign country.

The Copyright Office in the regulation found that the distribution of a work on the internet constitutes a publication:

Because ‘‘[u]nder the definition in section 101, a work is ‘published’ if one or more copies or phonorecords embodying it are distributed to the public,’’ H.R. Rep. No. 96–1976, at 138 (1976), it follows that the electronic transmission of copies of a work to the public, as addressed in the distribution context in Tasini and Grokster, constitutes publication of that work.

So what does this mean?

Statutory damages are not available under 17 USC 412 for (1) the infringement of copyrights in unpublished works commenced before the effective date of its registration, or (2) any infringement of copyright commenced after first publication of theve found work and before the effective date of its registration, unless such registration is made within three months after the first publication of the work.

Authors of domestic works should be aware that, if Courts adopt the language in the regulation as guidance, they have a three month window to register after they place a work on the internet. In this window an author can still seek statutory damages and attorneys’ fees, even if infringement occurs before the effective date of the registration. If a court were to find that the distribution of an online-only work does not constitute a publication there is no window.

The language in the regulation raises the importance of the Moberg decision for works created outside of the United States and first published online. Previously a court could have found that not all works first published on the internet are U.S. works (due to concurrent publication in the US and abroad) because an online distribution does not constitute a publication. If court’s adopt the Office’s analysis, the only way a work first published online is not a U.S. work is if a tribunal adopts the policy-based findings in Moberg.

Supreme Court denies cert in Arista Records v. Launch Media

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Filed under Compulsory License, Copyright Royalty Board, Digital Audio Transmission, Music, Supreme Court

On Monday, the Supreme Court denied Sony BMG’s cert petition in Arista Records, LLC v. Launch Media, Inc., 2009 WL 2568733 (2d. Cir. 2009). If a person offers an “interactive service,” as defined in the Act, she must pay an individual licensing fee for musical selections and not just the compulsory license rate set by the Copyright Royalty Board. The general rationale behind the provision is to ensure that webcasters must individually clear songs if they offer an on-demand musical service, not just pay the compulsory royalty rate.

Launch Media provided an internet radio site that allowed users to create stations from their preferences, such as a genre, artist or song. Sony argued it was an interactive service, defined in the Act as a service “that enables a member of the publc to receive a transmission of a program specially created for the recipient, or on request, a transmission of a particular sound recording …, which is selected by or on behalf of the recipient.”

The Second Circuit found that Launch Media service was not an “interactive service” and that the company only needed to obtain a compulsory license to offer musical selections. Sony BMG petitioned the Supreme Court, and was denied.

Announcing the Law Office of Shourin Sen — ATTORNEY ADVERTISING

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Filed under Meta

Announcing the Law Office of Shourin Sen

Dear Friends and Colleagues:

I hope you enjoyed a safe and happy holiday season. I am writing to convey best wishes for this new year and share some exciting news of my own. I recently launched a law firm that focuses on copyright, trademark, corporate representation and entertainment law. Thank you to the many people who have been supportive and instrumental in this process. If you have questions about my practice, you can visit my firm’s website at http://senlawoffice.com or contact me directly.

Best wishes,

Shourin Sen, Esq.
244 Fifth Avenue, Suite 1765
New York, NY 10001
Tel.: (888) 693-7125
International Tel.: (347) 455-1250
Fax.: (212) 591-6111
ssen@senlawoffice.com

Copyright and Entertainment Law

The Law Office of Shourin Sen provides counseling on all aspects of copyright, entertainment and art law. The Office advises on all types of contractual and licensing agreements, copyright registration, acquisitions and divestitures of intellectual property, due diligence inquiries, and the enforcement of intellectual property rights.

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The Law Office mentors businesses, entrepreneurs and technology startups by providing cost conscious full service legal support. The Office advises on formation of business entities, corporate structuring and mergers of existing business entities. The Office also provides continued support on a broad range of contractual matters such as service, vendor, technology, asset purchase, and rental agreements. The Office’s intellectual property practice dovetails into our representation of businesses and technology startups, whose most valuable assets are often intangible. The Office advises businesses on, among other things, trademark registration and brand management, licensing, and the development of intellectual property portfolios.

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The Law Office of Shourin Sen handles litigation in all of the areas of law for which it provides representation. This includes complex copyright, trademark, trade secret, libel and unfair competition claims, as well as contractual and shareholder disputes. The Office will manage all phases of a dispute from pre-litigation communications through trial and appeal, if that is the necessary course.

This post is attorney advertising. The other posts or sections of this blog are not attorney advertising unless specifically labeled otherwise. All potential clients are urged to make their own independent investigation and evaluation of any lawyer being considered. The information contained in this post is not intended to create and the receipt of it does not constitute an attorney-client relationship between the Law Office of Shourin Sen and the viewer. Any information you submit to the Law Office of Shourin Sen via email will not be considered an attorney-client communication or otherwise be treated as confidential or privileged in absence of an express agreement by us to the contrary.

BrightTALK Trademark Law Summit on Thursday, Jan 7

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Filed under Podcast, Trademark

BrigthTALK will be hosting another intellectual property summit this Thursday, January 7. The topic du jour? Trademark Law: Protecting Trademarks in the Internet Age.

Webcast: 7 Jan 2010 6:00am Trademark Law – Best Practices for Busy Professionals
Presenting Tom Farrand: Harrison Goddard Foote
Attend: http://www.brighttalk.com/dcemail_redirect/webcast/5443

Webcast: 7 Jan 2010 12:00pm Legal Considerations in Selecting, Protecting & Using Brand Names
Presenting: Sheldon H. Klein, Partner, Arent Fox LLP
Attend : http://www.brighttalk.com/dcemail_redirect/webcast/5565

Webcast: 7 Jan 2010 1:00pm Emerging Trademark Threats with Social Media Tools

Presenting: Michael D. Hobbs, Jr., Partner, Troutman Sanders LLP
Attend : http://www.brighttalk.com/dcemail_redirect/webcast/5256

Webcast: 7 Jan 2010 2:00pm Trademark Issues in an Online Environment
Presenting: Connie Ellerbach, Partner, Fenwick & West LLP
Attend : http://www.brighttalk.com/dcemail_redirect/webcast/5427

Webcast: 7 Jan 2010 3:00pm Laying the Foundations for Budget Constrained Brand Protection
Presenting: Lisa Garono, Of Counsel at Haynes Boone
Attend : http://www.brighttalk.com/dcemail_redirect/webcast/5428

Webcast: 7 Jan 2010 4:00pm What’s Mine is Mine &What’s Yours is Mine: Trademarks as Property
Presenting: Deborah Davis Han, Howard Rice & Nate Garhart, Coblentz Law
Attend : http://www.brighttalk.com/dcemail_redirect/webcast/5932